Victoria was born in Sherrill, New York and began her dance training at the United Academy of the Performing Arts and continued studying with the Ballet Arts directed by Delia Foley. To further her ballet studies, Victoria moved to New York to study at the Ellison Ballet Professional Training Program under the direction of Edward Ellison. One year later she was awarded a scholarship to be a Trainee with the Boston Ballet where she performed with the school, Boston Ballet II, as well as with the company.

Repertoire

Since joining The Sarasota Ballet Victoria has a danced in a wide variety of the Company’s repertoire including Sir Frederick Ashton’s The Two Pigeons and The White Girl in Les Patineurs and The Waltz and Polka in Façade, Caroline in Anthony Tudor’s Lilac Garden, George Balanchine’s Allegro Brilliante and Divertimento No. 15, The Betrayed Girl Dame Ninette de Valois’ The Rake’s Progress and the Red Queen in Checkmate, Blanche and Sweethearts in John Cranko’s Pineapple Poll. Swan Lake Act II Pas de Deux, Prelude in Dame Alicia Markova's production of Les Sylphides and Pas de Six in Andre Prokovsky’s Anna Karenina

Victoria has also performed solo roles in Paquita, Renato Paroni’s Rococo Variations and created a featured role in Dominic Walsh’s Mozart.